onwithyourshow.com

Select the Show

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  1. A winning show begins with finding the right play or musical for your company. Narrow the field with our Show Selection Worksheet, one of the many how to produce a play or musical worksheets in the Theatre Production Handbook. Remember to keep completed worksheets for future reference. The handbook comes in a three-ring binder with pockets for worksheets and notes for each stage of your play or musical production process. If you are the play or musical producer for a limited term, your well-maintained handbook will be the complete training resource for your successor.
  2. Next, browse publisher catalogs to find shows that meet your requirements. Some of the major publishing houses are:
    • Anchorage Press
    • Baker's Plays
    • Dramatic Publishing Company
    • Dramatist's Play Service, Inc.
    • Music Theatre International
    • Rodgers & Hammerstein Theatre Library
    • Samuel French, Inc.
    • Tams-Witmark Music Library, Inc.
  3. Order and read the script for each show under consideration. Don't shortcut this step. Producing a great play or musical comes down to understanding the small details that bring a script and score to life.
  4. Obtain legal rights to perform the play or musical you choose - unless the show is royalty free (Shakespeare, Gilbert & Sullivan, Oscar Wilde, for instance).
  5. Before you make your final selection, find out what other plays and musicals are scheduled to be performed in your area at the same time. A competing show can result in fewer costumes/props available to buy or rent locally and - most importantly - smaller audiences. If your play or musical needs a critical prop (like Audrey II in Little Shop of Horrors) be extra careful.
Tip: Sound effects can be copyrighted. Paying for the rights to a show may not include rights to a song – if in doubt, ask.

Play and Musical Show Summaries

42nd Street

Annie

Beauty and the Beast

Fiddler on the Roof

Grease

Guys and Dolls

High School Musical

Into the Woods

Little Shop of Horrors

Oklahoma

Sweeney Todd

 

 
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Every now and then, when you're on stage, you hear the best sound a player can hear. It's a sound you can't get in movies or in television. It is the sound of a wonderful, deep silence that means you've hit them where they live.

Shelley Winters